Before assembling the finished desert scene layers, I wanted to build one more optional layer that could sit in front of them all and emphasize the voyeuristic feeling of peeking through a…

I kicked off this layer with test samples of various green sheet glasses and stringers to see which color combos, sizes, and placements would work best for the interesting cacti textures that I wanted to serve as the focal…

The midground layer of this piece actually consists of two glass layers fused into one. Although visually there’s no reason that the dark brown mountainscape can’t just be a single piece, the cuts dividing it into three serve a very important function…

This project was meant as a glass artist’s take on the diorama, which to me, is a window into another place or time—a world within a world. As an ultimate endpoint, I envisioned an entire wall hung with dozens of little diorama boxes, each one depicting a slice of scenery with a…

To create a background for the torii to be fused onto, I cut and shaped a black ring to an exact 1/8” width, and then added a white circle that fit tightly within its center. I fused these pieces together at a full fuse firing schedule. I opened the kiln to an unfortunate unintended result: the post-fuse circle had…

Technically, I don’t take commissions outside of pet and wedding portraits. However, every once in a while a client will approach me with a proposal that tugs at my artistic inclinations too strongly to refuse. In this case I was hooked by a request for a Japan-inspired ornament. I’ve been intrigued by Japanese culture since…